09.09.21 > 10.09.21
Architecture Film Festival Brussels
Twee avonden met screenings en gesprekken rond Brussel en haar gebouwde omgeving. Programma samengesteld door Emma van der Put en Ingel Vaikla, ondersteund door urban.brussels.
SOEP + BROOD + HUMUS 4€
Day 1 - Thursday
The City as Museum
In the first program ‘The City as Museum’ we move through Brussels, passing by tangible traces of the city’s history. The film Travelogue 1: The Dream of Leopold II by Stefaan Decostere poses the idea of ‘the city as museum’ and takes us on a guided tour, with a special interest in King Leopold II who was eager to add quite some specimens to the collection. In the city as living museum, we see reminders of what preceded, fulfilled dreams and achievements, solid marks of power. But as the filmmakers in this program show, their narrative is not fixed and never singular. By looking at how the city is used in response to the constructions we inherited from the past, they are giving voice to a multitude of perspectives.
_ Travelogue 1: The Dream of Leopold II
Stefaan Decostere – 1990 – Belgium – 11 min
_ Little Figures
Sarah Vanagt – 2003 – Belgium – 16 min
_ Notes on Turning
Gregor Eldarb – 2018 – Poland/Austria – 3 min
_ Waiting Working Hours
Ben de Raes – 2019 – Belgium – 16 min
_ As I walk at Leisure
Ans Mertens – 2018 – Belgium – 11 min
Julie Daems – 2020 – Belgium – 25 min
DAY 2 - Friday
The Future is Dark Which Is On The Whole the Best Thing Future Can Be, I think
The second film program of Architecture Film Festival takes us on a walk through the city of Brussels to observe it’s collective and personalized dreams poured in concrete. The constructive and destructive forces performed on these fragile structures keeps the unconsciousness of the city in a constant flux.
The title of the program “The future is dark, which is the best thing the future can be, I think,” is borrowed from Herman Asselbergh’s film Altogether where the sentence is repeated in a protest taking place on streets of Brussels. The quote originally belongs to Virginia Woolf who wrote it in her journal, when she was almost thirty-three years old and the First World War was beginning to turn into catastrophe on an unprecedented scale that would continue for years.
This program which brings audiovisual works together from different times, genres and makers looks into the grand modernist narratives of Brussels while also shining light on the smallest darkest corners of Brussels neighborhoods, its private apartments and personal stories. This constellation of moving images invites the audience to stay curious about the yet undefined parts of what the future can be.
_ Manhattan on the Senne
Georges Konen & Pierre Manuel – 1966 – Belgium – 6 min
_ La dernière (s)cène ou l’évangile selon Saint-Boris
Boris Lehman – 1995 – Belgium – 14 min
Aglaia Konrad – 2020 – Belgium – 19 min
Herman Asselberghs – 2008 – Belgium – 15 min
Paulius Sliaupa – 2021 – Belgium – 6 min
Mattijs Driesen – 2017 – Belgium – 20 min
Curated by: Brussels based visual artists Emma van der Put and Ingel Vaikla on invitation of City3
Introductions by: Olaf Winkler
Special thanks to: Kalliopi Dimitrakopoulou, Lars Fischer, Rob Ritzen, Jorg De Vriese
With support by urban.brussels and Sonuma